990 Royalty-Free Audio Tracks for "False Chord"

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ives quarter tone fundamental chord.

Pythagorean major chord on C.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Just minor chord on C: 10:12:15.

Septimal minor triad on C (C,E7b,G or 6:7:9)

C major triad, played by me

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

Mother chordMutterakkord

Bad guy/"Villian" motif/riff.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Excerpt from Bach's Mass in B minor

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Water glasses tuned to complete the chord structure of i v7 i in c major.

Free use.

A sine chord that sounds like a organ.

A simple chord for menu sounds.

A "d" power chord chopped up and processed logic.

Sound for techno and minimal tracks.

Interesting sample made with granular synthesis.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Bpm: 132. Key: f.

Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.

Open a (5th) and d (4th) strings in a chord. Sounds like a d 5th chord when used with e 5th.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

A violin being played.

Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.

Short sample of a chord from a software synthesizer, distorted.

Some rhodes chords with tremelo and some reverb made with lounge lizard in fl studio. Use it for whatever you wan't, no credit needed.

Vst: strum gs-2.

C minor played with hybrid vst for ableton. Settings set to square wave, and filter with resonance.

A major chord acoustic.

D major acoustic chord.